2021年3月15日星期一
消息 关于在全国艺术中心,东京的展览“形象叙述”“文学......

关于在东京全国艺术中心的东京全国艺术中心的“形象叙述”在全国艺术中心“在当代日本艺术中的文学”

Keizo Kitajima,Tsilcarl村亚美尼亚(来自SereSR 1991),1991/2019,颜料印花66.0×93.0CM收藏作家©Kitajima Keizo从8月28日到2019年11月11日,东京全国艺术中心,很高兴展示雷竞技官网网站六名日本当代艺术家的群体展览。雷竞技官网网站展览的标题是“图像的故事。日本当代艺术中的文学“。正如标题所表明的,展览侧重于日本当代艺术场景中的文学表达。文学元素在展出的作品中是常见的,这些作品以诗意和比喻方式表达。他们而不是表达直接留言,他们建议在作品中想象时代,地方和人。根据东京国家艺术中心展览的官方公告,有一句话,“UT Pictura诗歌”,来自古罗马诗人霍勒斯的诗歌,意思是“诗歌是诗歌,就像绘画是诗歌一样。当解释绘画(视觉艺术)和诗歌密切相关时,通常引用这一短语[1]。这位六名日本当代艺术家在这个展览范围内,从Keizo Kit雷竞技官网网站ajima出生于20世纪50年代,于20世纪80年代出生于Miyagashi。 Upon entering the museum, the first room is occupied by Yuichiro Tamura, who is active in Japan and abroad. The entire room is occupied by his new work, “Sky Eyes,” based on the concept of “hallucination. The artist focused on the fact that the Japanese word “hallucination” means “eyes in the sky. Thinking about the stories derived from words and images will be more helpful in appreciating his works. In the second exhibition room, Miyagashi created a new installation work for this exhibition, “In a Welllit-lighting Room. This exhibition will feature a new installation work, “Dialogue between Two Characters,” consisting of 26 photographs, 5 videos, and sound. The landscapes and conversations presented in the work are closely connected to Miyagi’s experiences. Miyagi has been focusing on issues of sexuality and minorities in relation to Okinawa. By stimulating the audience’s imagination through his works, he questions the social issues surrounding Okinawa.Erika Kobayashi,My Torch,2019,C print 54.9×36.7cm(每个,一套47)艺术家收藏©Erika Kobayashi由Yutaka Ki雷竞技官网网站kutake提供画廊照片:位于东京的Kasane Nogawa艺术家Erika Kobayashi将展示3号房间的装置,该装置追溯核武器原材料铀和1940年东京奥运会的故事手电筒。小林着重讲述了一个具有讽刺意味的故事:奥运火炬从未到达日本,日本试图从德国进口铀来研制原子弹。第四,丰岛靖国神社重新诠释了货架和展板。在“架子”系列中,丰岛创造了带有腿的架子,这些腿的设计比架子的主面板要精细得多。就这样,丰岛颠倒了架子的主要和次要角色。这个普通物体的简单变换让我们思考我们对它的感知。另外,在他的面板系列中,他没有加工胶合板面板的表面,而是加工面板的背面。Yasuko Toyoshima, Square Margin Throwing Star, 2018, Plywood, linseed oil, oil paint 91.0×91.0×2.7cm Collection of the artist Room 5 representative Chikako Yamashiro presents video works on issues and problems related to U.S. military bases and war in Okinawa from the perspective of local people.” Chin Bin Western Newly created for this exhibition, “Representations of Family” deals with local issues surrounding the planned construction of a new U.S. Marine base in the Henoko district of Nago, Okinawa. Finally, Room 6 presents the series “USSR 1991,” “EASTERN EUROPE 1983-1984,” and “UNTITLED RECORDS” by long-time photographer Keizo Kitajima.” The “USSR 1991” and “EASTERN EUROPE 1983-1984” series provide a sense of the atmosphere of society and people in the communist Eastern European countries and the Soviet Union at a time when the Soviet state system was collapsing. In addition to his series of historical photographs of people and society, Kitajima also focuses on landscape photography, as you can see from his “UNTITLED RECORDS” series. This series includes abandoned huts, warehouses, tents, and rubble after the Great East Japan Earthquake in 2011. The works of six artists are displayed in six different rooms, so that visitors can enjoy the different characteristics and diverse appeal of contemporary art. Therefore, it can be said that the exhibition features a wide variety of noteworthy works and artists. However, we should not forget that it is also possible to find literary expressions while understanding the contemporary art scene in Japan. In this exhibition, “The Story of Images. Image Narratives: Literature in Contemporary Art in Japan” under the broad theme of “Image Narratives: Literature in Contemporary Art in Japan. “Image Narratives. Literature in Contemporary Japanese Art” The National Art Center, Tokyo Dates: Wednesday, August 28, 2019 – Monday, November 11, 2019 Opening hours: 10 a.m. – 6 p.m. * Fridays and Saturdays from August to September: 10:00 a.m. – 9:00 p.m. * Fridays and Saturdays from October to November: 10:00 a.m. to 8:00 p.m. Last entry is 30 minutes before closing. Closed on Tuesdays * The museum will be open on Tuesday, October 22, and closed on Wednesday, October 23. Admission is 1,000 yen (adults) and 500 yen (university students). General admission 1,000 yen (adults), 500 yen (college students) Advance/group 800 yen (adults), 300 yen (college students)文章由:Jeongeun Jo出生于韩国,住在日本。三角洲成员之一,她毕业于东京大学美术研究生院。她也是一个艺术家自己。雷竞技官网网站段[1] https://www.nact.jp/english/exhibitions/2019/gendai2019/

Shinzo Okuoka. https://www.tricera.net/
1992年生于日本东京。在大学学习印度哲学后,她在一家出版公司担任一本艺术杂志和一本神社杂志的副主编,参与策划和编辑杂志和书籍。2019年,她加入了初创公司TRiCERA,负责开发日本首个专门从事当代艺术的跨境电子商务网站,管理艺术家,并推出公司自己的点播媒体。他还负责开发日本第一家专门从事当代艺术的跨境电子商务网站,管理艺术家,并推出公司自有媒体。他写得很快,在一家杂志社工作时,他一个人一个月能写150页。雷竞技官网网站

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