2021年1月28日,星期四
新闻 没有边界 - 或关于交叉的力量

没有边界 - 或关于交叉的力量

特里塞拉将于11月21日(星期六)至12月5日(星期六)举行“无国界”团体演出。在这篇文章中,我想解释一下选择艺术家的要点和每个艺术家的亮点。雷竞技官网网站

Enjoying the “unknowability” of art

今年,我们选择了艺术家,其作品难以通过流派或线路区分,并雷竞技官网网站且无法以传统方式观看其作品。
There are many genres of art, both in Japan and overseas, and now and in the past. I think that many of the artists selected for this exhibition are difficult to explain within the existing framework. But the fact that they can’t be put into words may be proof that they have something new to offer.

它是一个当代艺术的特权能够用我们的眼睛欣赏它,当然,也能够欣赏它文字作品的魅力
请欣赏画家们在油画和画布背后的想法。雷竞技官网网站

关于参与艺术家-兴趣点雷竞技官网网站

他直| Naoya Hirata

平田聪1991年出生于长野,他的特点是处世态度利用互联网收集的数据在虚拟空间中创作雕塑。This is why he calls himself a sculptor. Hirata believes that “sculpture is something that has spatiality and temporality,” and他所做的是传统的雕塑作品,只是对现有的空间和材料(钢铁和木材)有不同的看法). 他的作品让我想,“数字化和真实是同义词吗?他的作品让我们思考,“数字化和真实是同义词吗?“最重要的是,他们让我们作为现代人质疑空间和时间。

Prophet 2019 33 x 27.5cm铝合金数字银印版本1/3

Naoyuki Hata | Naoyuki Hata

总部在九州的哈塔最近一直在日本工作他用色彩描绘对象并拍摄它们的风格。人眼看到了事物并根据光的反映来判断颜色,但是看着HATA的工作,我认为它直接涉及我们看到的颜色可能不是真实颜色的思想。在某种程度上,您的摄影作品就像对人类视力的考验。

g / b // u /#1 2020 29.7 x 42cm数字银打印版本1/10

顺声索基|Syunsuke Saiki.

Saiki是一名画家使用画布作为显示器创建绘画. 对于大多数信息和通信都依赖智能手机和PC的人来说,终端的显示离眼睛和视野很近,我认为从某种意义上说,斋木的绘画模仿展示,这是现代人的视角,本身就很立体. 在某种程度上,我认为他的画是非常立体的存在。他们有些玩世不恭,好像你把我们的眼睛都挖出来了。

日常生活与反乌托邦2019 60.6×91cm油画亚克力

多田野绫香|多田野绫香

Ayaka Tadano is a painter who uses Japanese painting techniques and contemporary themes. Her landscape paintings depict the ephemeral aspect of “we humans who will disappear someday. The surface of Japanese painting is rough because of the use of mineral-based paints, and I think the sense of things combined with Tadano’s theme of “eternity and things will disappear one day” creates a very sentimental effect.

仍然在路2020 35×50cm,木板上的矿物颜料,日本纸

曾潮

出生于中国,曾昭是中国传统绘画和当代绘画的捣烂。在中国,绘画的传统评价点是“表达了多少钱。”通过故意使笔触可见,他表达了艺术家的呼吸和绘画时情绪的波动,使Qi可见。雷竞技官网网站换句话说,他们是paintings in which the painter’s presence is very visible

KS190829 2020 53×53cm oil on canvas

Neil Tomkins - Neil Tomkins

Neil Tomkins is obsessed with the relationship between real landscapes and the emotions of the people who see them. He believes that people look at their own情绪通过landscape, and that when they look at the landscape and remember it, their feelings are mixed in.

早晨SPRIT 2019 46×36cm丙烯酸在帆布上

Gahyo Choe

Korea-based artist Gahyo Choe’s work is interesting in that she createsspace from scratch, to put it simply. She草图她所拥有的梦想,然后通过p建立景观iecing them together, applying very thin layers of paint to express the texture of the dreams. In the context of painting, it’s more like abstract painting, but it’s also figurative in that it depicts the vision in the dream. It seems to me that I am drawing a very delicate line, like the relationship between dreams and reality.

自由世界#1 2019 65×53cm水粉画,油画粉彩

了解艺术

不管是绘画还是表演,我想the one thing you can’t escape about art它必须是可见的。视觉信息非常强大。有人说,人百分百是他们看起来的样子。然而,我认为艺术是通过对象的语言来表达创造者的情感、思想、历史和社会条件的一种方式。当然,如果作品在视觉上是完整的就好了,但我认为欣赏作品背后的思想更有趣。

比如,“为什么这幅毕加索的画这么乱?如果你换个角度看,艺术品有一个谜一样的机制。也许艺术之谜的乐趣之一就是找到自己的方法来解决它。

作者的简介

Shinzo Okuoka. https://www.tricera.net/
1992年出生于日本东京。在学习大学的印度哲学之后,她在一家出版公司工作,作为艺术杂志和神社杂志的副编辑,在那里她参与了规划和编辑杂志和书籍。2019年,她加入了一个初创公司Tricera,在那里她负责开发日本第一次跨境电子商务网站,专门从事当代艺术,管理艺术家,并推出该公司自己的按需媒体。雷竞技官网网站他还负责开发日本第一届跨境电子商务网站,专门从事当代艺术,管理艺术家,并推出公司自己的拥有媒体。雷竞技官网网站他是一个快速的作家,当他为一本杂志工作时,他能够在一个月内写150页。

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